Rolling Stones Exile On Main Street 2010 Rar File
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Prodigal Son (4:04) 02. You Gotta Move (2:18) 03. Under My Thumb (3:38) 04. I'm Free (2:47) 05. (I Can't Get No) Satisfaction (5:38) CD 3: B.B. King, Ike and Tina Turner's Sets. Everyday I Have the Blues (2:27) 02.
How Blue Can You Get (5:30) 03. That's Wrong Little Mama (4:11) 04. Why I Sing the Blues (5:16) 05. Please Accept My Love (4:52) 06. Gimme Some Loving (0:49) 07. Sweet Soul Music (1:16) 08. Son of a Preacher Man (2:49) 09.
Proud Mary (3:07) 10. I've Been Loving You Too Long (5:40) 11. Come Together (3:36) 12. Land of 1000 Dances (2:40).
Beggars Banquet (1968); Let It Bleed (1969); Metamorphosis (1975); No Stone Unturned, Vols. 1-2 (new non-LP compilation). The Complete Collection 1971-2013. Sticky Fingers (1971); Exile on Main St. (1972 – includes 2010 Deluxe Edition disc); Goats Head Soup (1973); It's Only Rock 'N' Roll (1974).
Mick Jagger - Mick Jagger's Introduction Of Rock And Roll Circus (0:25) 02. (Unknown) - Entry Of The Gladiators (0:55) 03. Mick Jagger - Mick Jagger's Introduction Of Jethro Tull (0:11) 04. JethroTull - Song For Jeffrey (3:25) 05. Keith Richard - Keith Richard's Introduction Of The Who (0:07) 06. The Who - A Quick One While He's Away (7:32) 07. (Unknown) - Over The Waves (0:45) 08.
- Some of the files we found are: Exile On Main Street.zip from mediafire.com host Rolling Stones - Exile on Main Street.zip mega.co.nz 135.09 MB EXILE ON MAIN STREET.zip mediafire.com 75.5 MB. If file is deleted from your desired shared host first try checking different host by clicking on another file title.
- The rolling stones exile on main street remastered deluxe edition 2cd 2010 fray From depositfiles.com (143 MB) Our goal is to provide high-quality video, TV streams, music, software, documents or any other shared files for free!
Taj Mahal - Ain't That A Lot Of Love (3:48) 09. Charlie Watts - Charlie Watts' Introduction Of Marianne Faithfull (0:05) 10.
Marianne Faithfull - Something Better (2:31) 11. Mick Jagger And John Lennon - Introduction Of The Dirty Mac (1:05) 12. The Dirtry Mac - Yer Blues (4:26) 13. Yoko Ono And Ivry Gitlis With The Dirty Mac - Whole Lotta Yoko (4:48) The Rolling Stones.
Jumping Jack Flash (3:35) 15. Parachute Woman (2:58) 16. No Expectations (4:13) 17. You Can't Always Get What You Want (4:24) 18. Sympathy For The Devil (8:48) 19.
Salt Of The Earth (4:57). Shine A Light (2008) 01. Jumpin' Jack Flash (4:22) 02. Shattered (4:06) 03. She Was Hot (4:45) 04.
All Down The Line (4:35) 05. Loving Cup (With Jack White III) (4:02) 06. As Tears Go By (3:32) 07. Some Girls (4:20) 08. Just My Imagination (6:40) 09.
Faraway Eyes (4:37) 10. Champagne & Reefer (With Buddy Guy) (5:58) 11. Band Introductions (1:40) 12. You Got The Silver (3:23) 13. Connection (3:37) 14. Sympathy For The Devil (5:57) 15.
Live With Me (With Christina Aguilera) (3:54) 16. Start Me Up (4:06) 17. Brown Sugar (5:36). Play With Fire (2:24) 02.
Heart Of Stone (2:45) 03. Who Do You Like In The Group (0:38) 04. The Last Time (Live) (3:19) 05. Time Is On My Side (Live) (2:54) 06. I'm Alright (Live) (2:36) 07. The Next House We'll Turn The Screaming Down (0:31) 08.
Theme For A Rolling Stone (3:12) 09. Nice Tea (0:56) 10. Maybe It's Because I'm A Londoner (2:13) 11. Play With Fire (2:15) 12.
Tell Me (2:19) 13. Heart Of Stone (3:04) 14.
Are You Going To The Show (0:21) 15. Everybody Needs Somebody To Love (live) (0:39) 16. Pain In My Heart (Live) (2:06) 17. Blue Turns To Grey (2:55) 18. Subconsciously Supernatural (0:11) 19.
(I Can't Get No) Satisfaction (2:55) 20. The Moon In June (0:36) 21. (I Can't Get No) Satisfaction (Live) (3:38) 22. Going Home (11:19). Live At The Tokyo Dome 1990 (2012) 01. Start Me Up (4:05) 02. Bitch (3:47) 03.
Sad Sad Sad (3:45) 04. Harlem Shuffle (4:17) 05. Tumbling Dice (3:57) 06. Miss You (6:43) 07.
Ruby Tuesday (3:20) 08. Almost Hear You Sigh (5:17) 09. Rock and a Hard Place (5:16) 10. Mixed Emotions (5:20) 11. Honky Tonk Women (5:00) 12. Midnight Rambler (10:31) 13.
You Can't Always Get What You Want (7:45) 14. Can't Be Seen (5:11) 15. Happy (4:13) 16. Paint It Black (4:07) 17.
2000 Light Years from Home (6:49) 18. Sympathy For The Devil (7:58) 19. Gimme Shelter (6:28) 20. Band Introductions (1:39) 21. It's Only Rock 'n Roll (4:25) 22. Brown Sugar (4:34) 23. (I Can't Get No) Satisfaction (8:56) 24.
Jumpin' Jack Flash (7:37). Live At Leeds Roundhay Park 1982 (2012) 01. Under My Thumb (3:42) 02.
When The Whip Comes Down (4:13) 03. Let's Spend The Night Together (4:14) 04. Shattered (5:00) 05. Neighbours (4:11) 06. Black Limousine (3:41) 07. Just My Imagination (Running Away With Me) (9:06) 08. Twenty Flight Rock (1:46) 09.
Going To A Go-Go (3:48) 10. Let Me Go (4:25) 11. Time Is On My Side (3:44) 12.
Beast Of Burden (8:55) 13. You Can't Always Get What You Want (11:04) 14. Band Intros (1:15) 15.
Little T & A (3:31) 16. Angie (4:42) 17. Tumbling Dice (4:18) 18. She's So Cold (4:05) 19. Hang Fire (2:48) 20. Miss You (8:30) 21.
Honky Tonk Women (3:27) 22. Brown Sugar (3:45) 23.
Start Me Up (5:28) 24. Jumpin' Jack Flash (6:53) 25. (I Can't Get No) Satisfaction (7:17). Metamorphosis (1975) 01.
Out Of Time (3:22) 02. Don't Lie To Me (2:01) 03. Some Things Just Stick In Your Mind (2:25) 04. Each And Every Day Of The Year (2:48) 05. Heart Of Stone (3:47) 06.
I'd Much Rather Be With The Boys (2:12) 07. (Walkin' Thru The) Sleepy City (2:51) 08. We're Wastin' Time (2:42) 09. Try A Little Harder (2:18) 10. I Don't Know Why aka Don't Know Why I Love You (3:00) 11. If You Let Me (3:16) 12.
Jiving Sister Fanny (3:24) 13. Downtown Suzie (3:52) 14. Family (4:04) 15.
Memo From Turner (2:45) 16. I'm Going Down (2:52). Come On (1:49) 02. I Wanna Be Your Man (1:43) 03. Not Fade Away (1:48) 04. Carol (2:34) 05.
Tell Me (3:49) 06. It's All Over Now (3:26) 07. Little Red Rooster (3:06) 08. Heart Of Stone (2:50) 09.
Time Is On My Side (2:59) 10. The Last Time (3:42) 11.
Play With Fire (2:13) 12. (I Can't Get No) Satisfaction (3:43) 13. Get Off Of My Cloud (2:54) 14.
I'm Free (2:23) 15. As Tears Go By (2:46) 16. Lady Jane (3:08) 17. Paint It Black (3:24) 18.
Mother's Little Helper (2:46) 19. 19th Nervous Breakdown (3:58) 20. Under My Thumb (3:42) 21. Out Of Time (5:37) 22. Yesterday's Papers (2:04) 23.
Let's Spend The Night Together (3:37) 24. Have You Seen Your Mother, Baby, Standing In The Shadow? Come On (Original Single Mono Version) (1:48) 02. I Want To Be Loved (1:51) 03. I Wanna Be Your Man (1:43) 04. Stoned (2:09) 05.
Not Fade Away (Original Single Mono Version) (1:46) 06. Little By Little (Original Single Mono Version) (2:39) 07. It's All Over Now (3:27) 08. Good Times, Bad Times (2:30) 09.
Tell Me (Original Single Mono Version) (3:48) 10. I Just Want To Make Love To You (Original Single Mono Version) (2:16) 11. Time Is On My Side (2:52) 12. Congratulations (2:27) 13. Little Red Rooster (Original Single Mono Version) (3:04) 14. Off The Hook (2:34) 15.
Heart Of Stone (Original Single Mono Version) (2:45) 16. What A Shame (3:02) 17. The Last Time (Original Single Mono Version) (3:41) 18.
Play With Fire (Original Single Mono Version) (2:14) 19. (I Can't Get No) Satisfaction (Mono Version) (3:43) 20. The Under Assistant West Coast Promotion Man (3:08) 21. The Spider And The Fly (3:38) 22. Get Off Of My Cloud (Original Single Mono Version) (2:53) 23. I'm Free (2:24) 24.
The Singer Not The Song (2:24) 25. As Tears Go By (2:45).
Gotta Get Away (2:06) 02. 19th Nervous Breakdown (3:56) 03. Sad Day (3:03) 04. Paint It Black (3:44) 05. Stupid Girl (2:55) 06. Long, Long While (3:00) 07.
Mother's Little Helper (2:45) 08. Lady Jane (3:11) 09. Have You Seen Your Mother, Baby, Standing In The Shadow? Who's Driving Your Plane? Let's Spend The Night Together (3:28) 12.
Ruby Tuesday (3:13) 13. We Love You (4:36) 14. Dandelion (3:47) 15. She's A Rainbow (4:11) 16. 2000 Light Years From Home (4:44) 17. In Another Land (2:53) 18. The Lantern (4:25) 19.
Jumpin' Jack Flash (3:37) 20. Child Of The Moon (3:12). Jump Back: The Best Of The Rolling Stones 71-93 (1993) 01.
Start Me Up (3:33) 02. Brown Sugar (3:48) 03.
Harlem Shuffle (3:24) 04. It's Only Rock'n'roll (5:07) 05.
Mixed Emotions (3:59) 06. Angie (4:31) 07. Tumbling Dice (3:46) 08. Fool To Cry (4:06) 09. Rock And A Hard Place (4:10) 10. Miss You (3:35) 11. Hot Stuff (3:30) 12.
Emotional Rescue (5:39) 13. Respectable (3:06) 14. Beast Of Burden (3:27) 15.
Waiting On A Friend (4:35) 16. Wild Horses (5:43) 17. Bitch (3:36) 18. Undercover Of The Night (4:33). Street Fighting Man (3:17) 02. Gimme Shelter (4:32) 03. (I Can't Get No) Satisfaction (3:44) 04.
The Last Time (3:42) 05. Jumpin' Jack Flash (3:43) 06. You Can't Always Get What You Want (7:29) 07. 19th Nervous Breakdown (3:57) 08. Under My Thumb (3:42) 09.
Not Fade Away (1:49) 10. Have You Seen Your Mother, Baby, Standing In The Shadow? Sympathy For The Devil (6:18) 12. Mother's Little Helper (2:47) 13.
She's A Rainbow (4:13) 14. Get Off Of My Cloud (2:56) 15. Wild Horses (5:45) 16. Ruby Tuesday (3:15) 17.
Paint It Black (3:45) 18. Honky Tonk Women (3:01) 19. It's All Over Now (3:28) 20.
Let's Spend The Night Together (3:27). Start Me Up (3:33) 02.
Brown Sugar (3:49) 03. Miss You (3:35) 04. Beast Of Burden (3:27) 05. Don't Stop (3:58) 06. Happy (3:05) 07.
Angie (4:31) 08. You Got Me Rocking (3:33) 09. Shattered (3:46) 10.
Fool To Cry (4:07) 11. Love Is Strong (3:48) 12.
Mixed Emotions (4:01) 13. Keys To Your Love (4:12) 14.
Anybody Seen My Baby? Stealing My Heart (3:42) 16. Tumbling Dice (3:46) 17. Undercover Of The Night (4:13) 18. Emotional Rescue (3:42) 19. It's Only Rock 'N' Roll (4:10) 20. Losing My Touch (5:06).
Remastered (2002) 01. It's All Over Now (3:26) 02.
2120 South Michigan Avenue (3:39) 03. Get Off Of My Cloud (2:55) 04. (I Can't Get No) Satisfaction (3:42) 05. Under My Thumb (3:41) 06. I Am Waiting (3:11) 07. Ruby Tuesday (3:17) 08.
Miss Amanda Jones (2:48) 09. Paint It Black (3:22) 10. Dandelion (3:33) 11.
She's A Rainbow (4:11) 12. I'm Free (2:24) 13.
Jiving Sister Fanny (3:23) 14. Brown Sugar (3:49) 15. You Got The Silver (2:51) 16. Monkey Man (4:13) 17. Jumping Jack Flash (3:42) 18. Wild Horses (5:43) 19. Factory Girl (2:08) 20.
Midnight Rambler (Live) (9:14) 21. Honky Tonk Women (3:00). Rarities 1971-2003 (2005) 01. Fancy Man Blues (4:48) 02. Tumbling Dice (Rehearsals and Live) (4:02) 03. Wild Horses (Live, Stripped Version) (5:10) 04.
Beast Of Burden (Live) (5:04) 05. Anyway You Look At It (4:19) 06.
If I Was A Dancer (Dance Pt. 2) (5:50) 07. Miss You (Dance Version, Edit) (7:32) 08. Wish I'd Never Met You (4:38) 09. I Just Wanna Make Love To You (Live) (3:55) 10. Mixed Emotions (12' Version) (6:12) 11.
Through The Lonely Nights (4:12) 12. Live With Me (Live) (3:47) 13. Let It Rock (Live) (2:46) 14. Harlem Shuffle (NY Mix, Edit) (5:48) 15. Mannish Boy (Live) (4:28) 16. Thru And Thru (Live) (6:39). Tumbling Dice (3:42) 02.
Angie (4:30) 03. Through The Lonely Nights (4:11) 04. Hot Stuff (5:20) 05.
Beast Of Burden (4:25) 06. Emotional Rescue 07.
Start Me Up (3:32) 08. Undercover Of The Night (Dub Version) (6:24) 09. Harlem Shuffle (London Mix) (6:20) 10. Ruby Tuesday (Live) (4:13) 11. Love Is Strong (Teddy Riley Extended Remix) (5:04) 12. Out Of Tears (Bob Clearmountain Remix Edit) (4:20) 13. Like A Rolling Stone (Album Version) (5:36) 14.
Anybody Seen My Baby? (Soul Solution Remix Edit) (4:24) 15.
Don't Stop (New Rock Mix) (4:01) 16. Rain Fall Down (Will.I.Am Remix) (4:04).
Exile On Main Street Lyrics
Come On (1:49) 02. Not Fade Away (1:47) 03. It's All Over Now (3:27) 04.
Little Red Rooster (3:05) 05. The Last Time (3:41) 06. (I Can't Get No) Satisfaction (3:43) 07.
Time Is On My Side (3:00) 08. Get Off Of My Cloud (2:54) 09. Heart Of Stone (2:49) 10. 19th Nervous Breakdown (3:57) 11. As Tears Go By (2:46) 12. Paint It, Black (3:23) 13.
Under My Thumb (3:42) 14. Have You Seen Your Mother, Baby, Standing In The Shadow? Ruby Tuesday (3:14) 16.
Let's Spend The Night Together (3:37) 17. The Rolling Stones - We Love You (4:23). Jumpin' Jack Flash (3:42) 02. Honky Tonk Women (Mono Version) (3:00) 03. Sympathy For The Devil (6:18) 04.
You Can't Always Get What You Want (Single Version) (4:49) 05. Gimme Shelter (4:31) 06. Street Fighting Man (Stereo Version) (3:15) 07. Wild Horses (5:44) 08. She's A Rainbow (Stereo Full Version With Intro) (4:13) 09. Brown Sugar (Remastered) (3:49) 10. Happy (3:05) 11.
Tumbling Dice (3:46) 12. Angie (Remastered) (4:32) 13. Rocks Off (4:32) 14. Doo Doo Doo Doo Doo (Heartbreaker) (3:27) 15.
It's Only Rock 'n Roll (But I Like It) (4:10) 16. Fool To Cry (Remastered Edited Version) (4:07).
From 1971 through to the day The Rolling Stones call it quits is considered the legendary band's second era. Their early manager Allen Klein owns the rights to everything the band released up to Sticky Fingers (on which the band co-own certain tracks); that's why their music is divided along these lines. In 1971, the band formed their own Rolling Stones Records through Atlantic Records and have since brought their catalog with them to every new label. This 'collection' features all their studio albums, including Exile on Main St.
And Some Girls in their most recent deluxe editions, plus their many live albums. A few unincluded b-sides and trivial tracks aside, this features the classic band adapting to the marketplace they helped create.
Sticky Fingers, Exile on Main St., and Some Girls are classic albums, but Goats Head Soup, Emotional Rescue, and Tattoo You are often underrated. Every studio album has hidden treasures, while live albums such as Stripped re-ignite the Stones' classics as only they can.
From 1971 through to the day The Rolling Stones call it quits is considered the legendary band's second era. Their early manager Allen Klein owns the rights to everything the band released up to Sticky Fingers (on which the band co-own certain tracks); that's why their music is divided along these lines. In 1971, the band formed their own Rolling Stones Records through Atlantic Records and have since brought their catalog with them to every new label. This 'collection' features all their studio albums, including Exile on Main St. And Some Girls in their most recent deluxe editions, plus their many live albums. A few unincluded b-sides and trivial tracks aside, this features the classic band adapting to the marketplace they helped create.
Sticky Fingers, Exile on Main St., and Some Girls are classic albums, but Goats Head Soup, Emotional Rescue, and Tattoo You are often underrated. Every studio album has hidden treasures, while live albums such as Stripped re-ignite the Stones' classics as only they can.
By the time the Rolling Stones began calling themselves the World's Greatest Rock & Roll Band in the late '60s, they had already staked out an impressive claim on the title. As the self-consciously dangerous alternative to the bouncy Merseybeat of the Beatles in the British Invasion, the Stones had pioneered the gritty, hard-driving blues-based rock & roll that came to define hard rock. With his preening machismo and latent maliciousness, Mick Jagger became the prototypical rock frontman, tempering his macho showmanship with a detached, campy irony while Keith Richards and Brian Jones wrote the blueprint for sinewy, interlocking rhythm guitars. Backed by the strong yet subtly swinging rhythm section of bassist Bill Wyman and drummer Charlie Watts, the Stones became the breakout band of the British blues scene, eclipsing such contemporaries as the Animals and Them.
Over the course of their career, the Stones never really abandoned blues, but as soon as they reached popularity in the U.K., they began experimenting musically, incorporating the British pop of contemporaries like the Beatles, the Kinks, and the Who into their sound. After a brief dalliance with psychedelia, the Stones re-emerged in the late '60s as a jaded, blues-soaked hard rock quintet.
They had always flirted with the seedy side of rock & roll, but as the hippie dream began to break apart, they exposed and reveled in the new rock culture. It wasn't without difficulty, of course. Shortly after he was fired from the group, Jones was found dead in a swimming pool, while at a 1969 free concert at Altamont, a concertgoer was brutally killed during a Stones' show. But the Stones never stopped going. For the next 50-plus years, they continued to record and perform, and while their records weren't always blockbusters, they were never less than the most visible band of their era - certainly, none of their British peers continued to be as popular or productive as the Stones.
And no band since has proven to have such a broad fan base or such far-reaching popularity, and it is impossible to hear any of the groups that followed them without detecting some sort of influence, whether it was musical or aesthetic. Throughout their career, Mick Jagger (vocals) and Keith Richards (guitar, vocals) remained at the core of the Rolling Stones. The pair initially met as children at Dartford Maypole County Primary School.
They drifted apart over the next ten years, eventually making each other's acquaintance again in 1960, when they met through a mutual friend, Dick Taylor, who was attending Sidcup Art School with Richards. At the time, Jagger was studying at the London School of Economics and playing with Taylor in the blues band Little Boy Blue & the Blue Boys. Shortly afterward, Richards joined the band. Within a year, they had met Brian Jones (guitar, vocals), a Cheltenham native who had dropped out of school to play saxophone and clarinet. By the time he became a fixture on the British blues scene, Jones had already had a wild life. He ran away to Scandinavia when he was 16 and had already fathered two illegitimate children.
He returned to Cheltenham after a few months, where he began playing with the Ramrods. Shortly afterward, he moved to London, where he played in Alexis Korner's group, Blues Inc. Jones quickly decided he wanted to form his own group and advertised for members; among those he recruited was the heavyset blues pianist Ian Stewart.
As he played with his group, Jones also moonlighted under the name Elmo Jones at the Ealing Blues Club. At the pub, he became reacquainted with Blues, Inc., which now featured drummer Charlie Watts, and, on occasion, cameos by Jagger and Richards. Jones became friends with Jagger and Richards, and they soon began playing together with Taylor and Stewart; during this time, Mick was elevated to the status of Blues, Inc.' S lead singer. With the assistance of drummer Tony Chapman, the fledgling band recorded a demo tape. After the tape was rejected by EMI, Taylor left the band to attend the Royal College of Art; he would later form the Pretty Things.
Before Taylor's departure, the group named itself the Rolling Stones, borrowing the moniker from a Muddy Waters song. The Rolling Stones gave their first performance at the Marquee Club in London on July 12, 1962. At the time, the group consisted of Jagger, Richards, Jones, pianist Ian Stewart, drummer Mick Avory, and Dick Taylor, who had briefly returned to the fold.
Weeks after the concert, Taylor left again and was replaced by Bill Wyman, formerly of the Cliftons. Avory also left the group - he would later join the Kinks - and the Stones hired Tony Chapman, who proved to be unsatisfactory. After a few months of persuasion, the band recruited Charlie Watts, who had quit Blues, Inc. To work at an advertising agency once the group's schedule became too hectic.
Rolling Stones Exile On Main Street 2010 Rar File Free
By 1963, the band's lineup had been set, and the Stones began an eight-month residency at the Crawdaddy Club, which proved to substantially increase their fan base. It also attracted the attention of Andrew Loog Oldham, who became the Stones' manager, signing them from underneath the Crawdaddy Club's Giorgio Gomelsky. Although Oldham didn't know much about music, he was gifted at promotion, and he latched upon the idea of fashioning the Stones as the bad-boy opposition to the clean-cut Beatles. At his insistence, the large yet meek Stewart was forced out of the group, since his appearance contrasted with the rest of the group.
Stewart didn't disappear from the Stones; he became one of their key roadies and played on their albums and tours until his death in 1985. With Oldham's help, the Rolling Stones signed with Decca Records, and that June, they released their debut single, a cover of Chuck Berry's 'Come On.'
The single became a minor hit, reaching number 21, and the group supported it with appearances on festivals and package tours. At the end of the year, they released a version of Lennon-McCartney's 'I Wanna Be Your Man' that soared into the Top 15. Early in 1964, they released a cover of Buddy Holly's 'Not Fade Away,' which shot to number three. 'Not Fade Away' became their first American hit, reaching number 48 that spring.
By that time, the Stones were notorious in their homeland. Considerably rougher and sexier than the Beatles, the Stones were the subject of numerous sensationalistic articles in the British press, culminating in a story about the band urinating in public.
All of these stories cemented the group as a dangerous, rebellious band in the minds of the public, and had the effect of beginning a manufactured rivalry between them and the Beatles, which helped the group rocket to popularity in the U.S. In the spring of 1964, the Stones released their eponymous debut album, which was followed by 'It's All Over Now,' their first U.K. That summer, they toured America to riotous crowds, recording the Five by Five EP at Chess Records in Chicago in the midst of the tour. By the time it was over, they had another number one U.K.
Single with Howlin' Wolf's 'Little Red Rooster.' Although the Stones had achieved massive popularity, Oldham decided to push Jagger and Richards into composing their own songs, since they - and his publishing company - would receive more money that away.
In June of 1964, the group released their first original single, 'Tell Me (You're Coming Back),' which became their first American Top 40 hit. Shortly afterward, a version of Irma Thomas' 'Time Is on My Side' became their first U.S.
It was followed by 'The Last Time' in early 1965, a number one U.K. And Top Ten U.S. Hit that began a virtually uninterrupted string of Jagger-Richards hit singles. Still, it wasn't until the group released '(I Can't Get No) Satisfaction' in the summer of 1965 that they were elevated to superstars. Driven by a fuzz-guitar riff designed to replicate the sound of a horn section, 'Satisfaction' signaled that Jagger and Richards had come into their own as songwriters, breaking away from their blues roots and developing a signature style of big, bluesy riffs and wry, sardonic lyrics. It stayed at number one for four weeks and began a string of Top Ten singles that ran for the next two years, including such classics as 'Get Off My Cloud,' '19th Nervous Breakdown,' 'As Tears Go By,' and 'Have You Seen Your Mother, Baby, Standing in the Shadow?' By 1966, the Stones had decided to respond to the Beatles' increasingly complex albums with their first album of all-original material, Aftermath.
Due to Brian Jones' increasingly exotic musical tastes, the record boasted a wide range of influences, from the sitar-drenched 'Paint It, Black' to the Eastern drones of 'I'm Going Home.' These eclectic influences continued to blossom on Between the Buttons (1967), the most pop-oriented album the group ever made. Ironically, the album's release was bookended by two of the most notorious incidents in the band's history. Before the record was released, the Stones performed the suggestive 'Let's Spend the Night Together,' the B-side to the medieval ballad 'Ruby Tuesday,' on The Ed Sullivan Show, which forced Jagger to alter the song's title to an incomprehensible mumble, or else face being banned. In February of 1967, Jagger and Richards were arrested for drug possession, and within three months, Jones was arrested on the same charge.
All three were given suspended jail sentences, and the group backed away from the spotlight as the summer of love kicked into gear in 1967. Jagger, along with his then-girlfriend Marianne Faithfull, went with the Beatles to meet the Maharishi Mahesh Yogi; they were also prominent in the international broadcast of the Beatles' 'All You Need Is Love.' Appropriately, the Stones' next single, 'Dandelion'/'We Love You,' was a psychedelic pop effort, and it was followed by their response to Sgt.
Pepper's, Their Satanic Majesties Request, which was greeted with lukewarm reviews. The Stones' infatuation with psychedelia was brief. By early 1968, they had fired Andrew Loog Oldham and hired Allen Klein as their manager.
The move coincided with their return to driving rock & roll, which happened to coincide with Richards' discovery of open tunings, a move that gave the Stones their distinctively fat, powerful sound. The revitalized Stones were showcased on the malevolent single 'Jumpin' Jack Flash,' which climbed to number three in May 1968.
Their next album, Beggar's Banquet, was finally released in the fall, after being delayed for five months due its controversial cover art of a dirty, graffiti-laden restroom. An edgy record filled with detours into straight blues and campy country, Beggar's Banquet was hailed as a masterpiece among the fledgling rock press. Although it was seen as a return to form, few realized that while it opened a new chapter of the Stones' history, it was also the end of their time with Brian Jones. Throughout the recording of Beggar's Banquet, Jones was on the sidelines due to his deepening drug addiction and his resentment of the dominance of Jagger and Richards. Jones left the band on June 9, 1969, claiming to be suffering from artistic differences between himself and the rest of the band. On July 3, 1969 - less than a month after his departure - Jones was found dead in his swimming pool.
The coroner ruled that it was 'death by misadventure,' yet his passing was the subject of countless rumors over the next two years. By the time of his death, the Stones had already replaced Jones with Mick Taylor, a former guitarist for John Mayall's Bluesbreakers. He wasn't featured on 'Honky Tonk Women,' a number one single released days after Jones' funeral, and he contributed only a handful of leads on their next album, Let It Bleed. Released in the fall of 1969, Let It Bleed was comprised of sessions with Jones and Taylor, yet it continued the direction of Beggar's Banquet, signaling that a new era in the Stones' career had begun, one marked by ragged music and an increasingly wasted sensibility. Following Jagger's filming of Ned Kelly in Australia during the first part of 1969, the group launched its first American tour in three years. Throughout the tour - the first where they were billed as the World's Greatest Rock & Roll Band - the group broke attendance records, but it was given a sour note when they staged a free concert at Altamont Speedway.
On the advice of the Grateful Dead, the Stones hired Hell's Angels as security, but that plan backfired tragically. The entire show was unorganized and in shambles, and it turned tragic when the Angels killed a young black man, Meredith Hunter, during the Stones' performance. In the wake of the public outcry, the Stones again retreated from the spotlight and dropped 'Sympathy for the Devil,' which some critics ignorantly claimed incited the violence, from their set. As the group entered a hiatus, they released the live Get Yer Ya-Ya's Out! In the fall of 1970. It was their last album for Decca/London, and they formed Rolling Stones Records, which became a subsidiary of Atlantic Records. During 1970, Jagger starred in Nicolas Roeg's cult film Performance and married Nicaragua model Bianca Perez Morena de Macias; the couple quickly entered high society.
As Jagger was jet-setting, Richards was slumming, hanging out with country-rock pioneer Gram Parsons. Keith wound up having more musical influence on 1971's Sticky Fingers, the first album the Stones released through their new label. Following its release, the band retreated to France in tax exile, where they shared a house and recorded a double album, Exile on Main St. Upon its May 1972 release, Exile on Main St. Was widely panned, but over time it came to be considered one of the group's defining moments.
Following Exile, the Stones began to splinter in two, as Jagger concentrated on being a celebrity and Richards sank into drug addiction. The band remained popular throughout the '70s, but their critical support waned.
Goats Head Soup, released in 1973, reached number one, as did 1974's It's Only Rock 'n' Roll, but neither record was particularly well received. Taylor left the band after It's Only Rock 'n' Roll, and the group recorded their next album as they auditioned new lead guitarists, including Jeff Beck. They finally settled on Ron Wood, former lead guitarist for the Faces and Rod Stewart, in 1976, the same year they released Black n' Blue, which only featured Wood on a handful of cuts. During the mid- and late '70s, all the Stones pursued side projects, with both Wyman and Wood releasing solo albums with regularity. Richards was arrested in Canada in 1977 with his common-law wife Anita Pallenberg for heroin possession.
After his arrest, he cleaned up and was given a suspended sentence the following year. The band reconvened in 1978 to record Some Girls, an energetic response to punk, new wave, and disco. The record and its first single, the thumping disco-rocker 'Miss You,' both reached number one, and the album restored the group's image. However, the band squandered that goodwill with the follow-up, Emotional Rescue, a number one record that nevertheless received lukewarm reviews upon its 1980 release.
Tattoo You, released the following year, fared better both critically and commercially, as the singles 'Start Me Up' and 'Waiting on a Friend' helped the album spend nine weeks at number one. The Stones supported Tattoo You with an extensive stadium tour captured in Hal Ashby's movie Let's Spend the Night Together and the 1982 live album Still Life. Tattoo You proved to be the last time the Stones completely dominated the charts and the stadiums.
Although the group continued to sell out concerts in the '80s and '90s, their records didn't sell as well as previous efforts, partially because the albums suffered due to Jagger and Richards' notorious mid-'80s feud. Starting with 1983's Undercover, the duo were conflicted about which way the band should go, with Jagger wanting the Stones to follow contemporary trends and Richards wanting them to stay true to their rock roots. As a result, Undercover was a mean-spirited, unfocused record that received relatively weak sales and mixed reviews. Released in 1986, Dirty Work suffered a worse fate, since Jagger was preoccupied with his fledgling solo career. Once Jagger decided that the Stones would not support Dirty Work with a tour, Richards decided to make his own solo record with 1988's Talk Is Cheap. Appearing a year after Jagger's failed second solo album, Talk Is Cheap received good reviews and went gold, prompting Jagger and Richards to reunite late in 1988. The following year, the Stones released Steel Wheels, which was received with good reviews, but the record was overshadowed by its supporting tour, which grossed over 140 million dollars and broke many box office records.
In 1991, the live album Flashpoint, which was culled from the Steel Wheels shows, was released. Following the release, Bill Wyman left the band; he published a memoir, Stone Alone, within a few years of leaving. The Stones didn't immediately replace Wyman, since they were all working on solo projects; this time, there was none of the animosity surrounding their mid-'80s projects. The group reconvened in 1994 with bassist Darryl Jones, who had previously played with Miles Davis and Sting, to record and release the Don Was-produced Voodoo Lounge. The album received the band's strongest reviews in years, and its accompanying tour was even more successful than the Steel Wheels tour. On top of being more successful than its predecessor, Voodoo Lounge also won the Stones their first Grammy for Best Rock Album. Upon the completion of the Voodoo Lounge tour, the Stones released the live 'unplugged' album Stripped in the fall of 1995.
Similarly, after wrapping up their tour in support of 1997's Bridges to Babylon, the group issued yet another live set, No Security, the following year. A high-profile greatest-hits tour in 2002 was launched despite the lack of a studio album to support, and its album document, Live Licks, appeared in 2004. A year later, the group issued A Bigger Bang, their third effort with producer Don Was. In 2006, Martin Scorsese filmed two of the group's performances at New York City's Beacon Theatre. The resulting Shine a Light, which included guest appearances from Buddy Guy, Jack White, and Christina Aguilera, was released in theaters in 2008. The accompanying soundtrack reached the number two spot on the U.K. Following Shine a Light, the Stones turned their attention toward their legacy.
For Keith Richards, this meant delving into writing his autobiography Life - the memoir was published to acclaim in the fall of 2010 and generated some controversy due to comments Keith made about Mick - but the Stones in general spent time mining their archives, something they'd previously avoided. In 2010, they released a super deluxe edition of Exile on Main St.
That contained a bonus disc of rarities and outtakes, including a few newly finished songs like 'Plundered My Soul.' This was followed in 2011 by a super deluxe edition of Some Girls that also contained unheard songs and outtakes.
Exile On Main Street Youtube
That same year, the Stones opened up their Rolling Stones Archive, which offered official digital releases of classic live bootlegs like 1973's The Brussels Affair. All this was a prelude to their 50th anniversary in 2012, which the group celebrated with a hardcover book, a new documentary called Crossfire Hurricane, and a new compilation called GRRR! The Stones also played a handful of star-studded concerts at the end of the year and in the first half of 2013, several of which featured guest spots from the long-departed Mick Taylor.
These live shows culminated with a headlining spot at Glastonbury and two July 2013 concerts at Hyde Park; highlights from the Hyde Park shows were released that July and, later in the year, there was a home video/CD release of the concert called Sweet Summer Sun: Live in Hyde Park. Over the next few years, the Stones played concerts regularly - a highlight was a March 2016 concert in Havana, Cuba - and slowly worked on an album that was teased in September 2016, the same week their London/Decca works were released as the box set The Rolling Stones in Mono. On December 2, 2016, the Stones released Blue & Lonesome, a collection of Chicago blues covers that was their first studio album in 11 years. Stephen Thomas Erlewine. ORIGIN London, England. FORMED April, 1962.